Their debut aIbum, Skwatta Cam-Páin was reIeased in 2001 to a virtually non-existent hip hop scene and the first single, The Rest Shut the F Up, made waves on radio instantly and over the years the groups enjoyed more albums, ground breaking achievements as hip hop pioneers and more hits in Rau Rau, Manyisa, Umoya, Eskhaleni, Landela, The Clap Song, Feel Like Dancing, Bumpa 2 Bumpa, Kings Kweens, Dali Mawaza, Summer Song and Hey Lets not forget to mention all the hits from their solo careers, now thats a catalogue And the live shows can simply be described in three words. The canvass is the beats prepared by the best composers and Skwatta are the lyricists painting the detail of daily living, popular culture, escapism and the township urban youth concept of fashionista. Through their music the listener gets a look into how the South African youth vibe. Skwatta Kamp is Slikour, Shugasmakx, Nish, Relo, Bozza and Nemza and they are determined to leave a chapter on the hip hop landscape by being consistent in their business acumen and by representing the true essence of South Africas urban street culture worldwide. This was the situation in the music industry that Skwatta Kamp found themselves in a few years back, where their form of music was not seen as an art form but a passing fad not worth mentioning in high regard. The group namé Skwatta Kamp (pronouncéd Skwa-tah Cámp) says it aIl.ĭerived from thé term Squatter Cámp, which are shantytówns littered around Sóuth Africas open Iandscapes, the people whó live in thése informal settlements aré seen as óutcasts and a nuisancé.

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